…an inverse constellation, seen only from space: lone figures, dispersed across continents, entranced by vanishing points, alone against the oceans…
Nicholas Muellner’s most recent image-text book journeys through shifting tableaux of exile and solitude in the digital age. Seductive, disorienting, informative and allegorical, In Most Tides an Island is at once a glimpse of contemporary post-Soviet queer life, a meditation on solitude and desire, and an inquiry into the nature of photography and poetry in a world consumed by cruelty, longing, resignation and hope.
This work emerged from two very different impulses: to witness the lives of closeted gay men in provincial Russia, and to compose the gothic tale of a solitary woman on a remote tropical island. Along the way, these disparate pursuits – one predicated on documentation, the other on invention – unexpectedly converged. Shot along Baltic, Caribbean and Black Sea coastlines, distant landscapes met at the rocky point of Alone. From that vista, they ask: what do intimacy and solitude mean in a radically alienated but hyper-connected world?
Available from Spaces Corners